WORKS
- “Floor Shadow Series (Quantum Chip)” 2018. Eye shadow pigment. TAFA Museum Tianjin, China. 240″ x 156″
- “Floor Shadow Series (Tantamount)” 2018. Eye shadow pigment. TAFA Museum Tianjin, China. 240″ x 240″
- “Floor Shadow Series (Tantamount)” 2018. Eye shadow pigment. TAFA Museum Tianjin, China. 240″ x 240″
- “Floor Shadow Series” 2018. Installation view.
- “Floor Shadow Series (Blue Green Transformation)” 2018. Royal blue and emerald green eye shadow Pigment. TAFA Museum Tianjin, China. 157″ x 118″
- “Floor Shadow Series (Yellow Gray Transformation)” 2018. Lemon yellow and silver black eye shadow pigment. TAFA Museum Tianjin, China. 130″ x 141″
- Lay Back and Enjoy It, 2017; Lipstick, wood, plexiglass, hardware, paint
- Installation View, Shoshana Wayne Gallery, 2017
- Lay Back and Enjoy It, 2017; Lipstick, wood, plexiglass, hardware, paint, powder-coated aluminum
- Detail: The Sheriff / Barbershop, 2017; Lipstick, wood, plexiglass, hardware, paint
- Detail: The Sheriff / Barbershop, 2017; Lipstick, wood, plexiglass, hardware, paint
- “Tantamount” 2014-2015. Plexiglass, Aluminum, BMW blue paint, mirror. 72″ x 60″
- Tantamount, 2015; Eyeshadow and Aluminum
- Cosmos, 2013; Eyeshadow, pigment, plexiglass
- Cosmos (detail)
- Cockeyed, 2013; Eyeshadow, pigment, plexiglass, Private Collection
- ConQue, 2013; Eyeshadow, pigment, plexiglass
- True Colors, 2013; Eyeshadow, pigment, plexiglass
- Particle Dispersion: Chrome Green, 2013 Plexiglass case with eyeshadow
- Particle Dispersion: Nano Yellow, 2013 Plexiglass case with eyeshadow
- Particle Dispersion: Orange Vega, 2013; Plexiglass case with eyeshadow
- Installation View, Shoshana Wayne Gallery, 2013
- Pink Lady, 2013; Plastic, glass, Private Collection
- Pink Lady (detail)
- Untitled (Tangerine), 2013; Lipstick, wax
- Untitled (Cotton Candy), 2013; Lipstick wax
- Red Giant & Quantum Dot with Two Electrons, 2013; Eyeshadow, pigment, plexiglass
- Reflex Violet/Blue, 2013; Plexiglass case with eyeshadow
- Independent Cell, 2012; Pigment—cosmetic compound, plexiglass, Private Collection
- Installation view, Shoshana Wayne Gallery, 2010
- 3D Sketch for Cell: Interlocking Construction, 2010; Cardboard
- Cell: Interlocking Construction, 2010; Pigment, cosmetic compound, plexiglass; Los Angeles County Museum of Art
- Transitional States, 2010; Installation View
- Transitional States, 2010; Installation View
- Transitional States, 2010; Still from performance
- Transitional States, 2010; Still from performance
- Transitional States, 2010; Still from performance
- Transitional States, 2010; Still from performance
- Transitional States, 2010; Still from performance
- Transitional States, 2010; Still from performance
- Untitled (Homage to Mary Cassatt), 2010; Soap, Bergamot Essence
- Parallel Lines, 2010; Pressed eyeshadow, aluminum,glass, Private Collection
- Parallel Lines, 2010; Detail
- Untitled: (Box Under Construction with Liner), 2010; Powder coated sheet metal, paper (84 units)
- Untitled: (Box Under Construction with Liner), 2010; Side view
- Corner Convergence Firing Blue Pink and Green, 2010; Pressed eyeshadow, aluminum, glass
- Fade to Black Through Twilight (836), 2010; Pressed eyeshadow, aluminum, glass, Private Collection
- Color Chart Flat #4, 1993-2012; Eyeshadow and aluminum, Private Collection
- Compression Cut, 2008; Cosmetic pigment, pigment, binder, aluminum, Private Collection
- L’Escargot, 2007; Eyeshadow, aluminum, Private Collection
- Saffron (Warhol), 2008; Eyeshadow, aluminum, Private Collection
- Quinacridone Rose (Warhol), 2008; Eyeshadow, aluminum, Private Collection
- Viridian Green (Warhol), 2008; Eyeshadow, aluminum, Private Collection
- Patricia Sweetow Gallery, SF, 2006; Installation View
- Truncated (Pink), 2006; Compression cast cosmetic pigment, welded tinplate, steel
- Standing Curve, 2006; Compression cast cosmetic pigment, stainless steel, metal tinplate
- Standing Curve, 2006; Side view
- Untitled (Black), 2006; Compression cast cosmetic pigment, welded tinplate, steel
- Small Curve, 2006; Compression cast cosmetic pigment tinplate, stainless steel
- Small Curve, 2006; Side view
- Icosader, 2006; Compression cast cosmetic pigment, pigment, welded metal tinplate
- Icosader, 2006; Detail
- Homage to Dorothy Parker Inside a Richard Serra, 2006; Steel, modified Parker poem
- Shoshana Wayne Gallery, Installation view, 2005
- 3D Stella, 2005; Eyeshadow and welded aluminum, Private Collection
- 3D Stella, 2005; Detail
- Mimesis (Kelley), 2005; Aluminum laminate
- Ob Ex (specifically Judd), 2005; Cast pigment with hydrocal, aluminum, Private Collection
- LA Boogie, 2005; Eyeshadow, pigment, aluminum, Private Collection
- LA Boogie, 2005; Side view
- Mondrian Bulge, 2005; Eyeshadow, pigment, 3D plexiglass cover, Private Collection
- Mondrian Bulge, 2005; Side view
- John, 2005; Eyeshadow, aluminum, Private Collection
- John, 2005; Detail
- Kline Curve, 2005; Eyeshadow, pigment, aluminum
- Kline Curve, 2005; Eyeshadow, pigment, aluminum
- Kline Curve, 2005; Detail
- Cryo-Field (frozen watercolor), 2001; Water, pigment, refrigeration panel
- Cryo-Field (frozen watercolor), 2001; Frosted over
- Cryo-Field (frozen watercolor), 2001; Detail
- Cryo-Field (frozen watercolor), 2001; Detail
- Cryo-Field (frozen watercolor), 2001; Detail
- Cryo-Field (frozen watercolor), 2001; Detail
- Motel Matches – Portrait of a Ready Made (After Kippenberger), 2000; Replica of beer can burned
- Motel Matches—Portrait of a Ready Made, 2000; Detail
- Hopelessly Marionetted to Picabia, 2000; Cameras, acrylic
- Fucking Painters, 2000; Eyeshadow, aluminum, Private Collection
- Michael Kapinios, Germany, 2000, Installation view
- Cut to the Chase inside the Wallet of Bill Gates, 1999; Plastic laminate, paper
- One to One,1998-1999; Eyeshadow and aluminum; Rolla Collection, Switzerland
- Tomb: Tweedledum and Tweedledee, 1998; Crushed, burned computer keyboards
- Solid Surface, Installation view, 1998 – 1999; Warehouse-fire fused laminate
- Molotov and I, 1998; Vodka, canvas, blown glass
- Temple of Apollo, 1998; Eyeshadow, aluminum, backed enamel, steel
- Temple of Apollo, detail, 1998; Eyeshadow, aluminum, backed enamel, steel
- Black and Red, 1998; Eyeshadow, aluminum, Private Collection
- Blue Green Transformation, 1998; Eyesadow, aluminum, Private Collection
- Blue Green Transformation, detail, 1998; Eyesadow, aluminum
- Nova, 1998; Light jet, aluminum, acrylic on porcelain
- Christine Rose, NY, 1998, Installation View
- Lipstick Suit, 1997; Lipstick, resin, wax, fiberglass, fabric, Private Collection
- High Planes Drifter, 1996; Digital output from video capture
- Square Transformation, 1996; 1: Flexible – Open Cube (White Rubber); 2: Collapsed – Open Cube (Red Rubber); 3: Rigid – Open Cube (Metal Lipstick); 4: Square Transformation (Wood Rectangles)
- Square Transformation,Flexible – Open Cube (White Rubber) 1996; Rubber, Private Collection
- Square Transformation, Flexible – Open Cube (White Rubber) 1996; Rubber
- Square Transformation, Collapsed – Open Cube, 1996; Red rubber, Private Collection
- Carbon Fusion, 1996; Mixed plastics, plexiglas, vinyl, styrene, laminate
- Form into Uniform into Formlessness, 1996; Blue screen video capture for digital output, backed enamel on aluminum, Private Collection
- Form into Uniform into Formlessness, 1996; Detail
- Aggregate, 1996; Cast Excedrin AM/PMIngredients: Acetaminophen, bonding agent, caffeine, Private Collection
- From Turquoise to Purple (Forged), 1996; House paint backed enamel, eyeshadow
- Shoshana Wayne Gallery, Installation View, 1995
- Was is Los a Realization of Adolf Loose’s, 1995; Tent & 2 photos
- Was is Los a Realization of Adolf Loose’s, detail, 1995;
- Magazin 4 Austria, poster for show “Was is Loos;” 1995
- Anagram, 1995; Donald Judd chairs, lipstick, wood, rubber, Private Collection
- Originals, 1995; Perfect Raincoat (Fabric Workshop)
- Replicant, 1995; Left: lipstick; Right: paint, lipstick, aluminum
- Pseudo-Cosmetic Carnivore, 1995; Porcelain, porcelain powder, Private Collection
- Stranded, 1995; Porcelain, plastic
- Fawbush, NY, 1995; Installation view
- Portrait of a Feminist, 1993; White enamel on glass (photographic image is the shadow), Private Collection
- Untitled (Bizarra), 1993; Enamel on glass, aluminum brackets, Private Collection
- Spiral Stair Case, 1993; Enamel on glass, Private Collection
- Returning the Gaze, 1993; Ink on glass, Private Collection
- Granddaughter Clock, 1993; Wood, aluminum
- Burnt Bunnies, 1993; Photograph
- Burnt Bunnies, 1993; Photograph
- Burnt Bunnies, 1993; Burned wood, Museum of Contemporarty Art, Los Angeles
- Installation Shot, Rhona Hoffman Gallery, Chicago, 1993
- Anita Hill, 1993, Dimensions variable, pencil and bronze.
- Anita Hill, 1993, Dimensions variable, pencil and bronze.
- Broken Glass, 1992; Blown glass, 9 pairs and broken pieces, Private Collection
- Color Chart Flat #1, 1992; Eyeshadow and aluminum, Private Collection
- Untitled, 1993; Lipstick, resin, Private Collection
- Feminine Aspirations,1992; Lipstick, resin, makeup, plexiglass, Private Collection
- Red Tips, 1991-1992; Lipstick, fabric, resin, shoes, Private Collection
- Untitled, 1992; Lipstick, Private Collection
- One Month Late, 1992; Lipstick ties, resin shoes, hanger
- Untitled Urinals, 1992; Lipstick, wax, hydrocal, Los Angeles County Museum of Art
- Pink and Blue, 1992; Lipstick, fiberglass, fabric, Private Collection
- Sarah, 1992; Lipstick and wax, Private Collection
- Red Not Blue,1992; Still from performance
- Red Not Blue,1992; Still from performance
- Red Not Blue,1992; Still from performance
- Red Not Blue – Three Torsos with Penes, 1992; Lipstick on canvas, Private Collection
- Red Not Blue – Penis marking (from scissor lift descent), 1992; Lipstick on canvas, Private Collection
- Red Not Blue – Buttocks, 1992; Lipstick on canvas
- New California Art: Rachel Lachowicz, at the Orange County Museum of Art, 1992
- Black and Blue, 1992; Wood, pigment, metal, leather, Private Collection
- Season Cycle, 1991-1992; Brass plate figures, wood bases, Private Collection
- Femme Fatale, 1991; Cosmetic powder, plaster, meat hooks, rope, Private Collection
- Forensic Projection (28, 58, 88 years), 1992; Face powder & hydrocal, Private Collection
- Leap Into the Void, 1991; Lipstick, Private Collection
- Monochrome Red, 1991; Cast lipstick, Private Collection
- Homage to Carl Andre (red), 1991; Lipstick and wax; Orange County Museum of Art
- Coma, 1991; Lipstick and wax, Private Collection
- Face Powder, 1991; Cast face powder, plaster, Private Collection
- Catherine Deneuve, 1991; Enamel on glass, Private Collection
- 1940 Vogue, 1991; Enamel on glass, Private Collection
- Self-Portrait, 1991; Enamel on glass, Private Collection
- High Heels, 1991; Shoes, fabric, Private Collection
- Red David, 1991; Plaster, lipstick, Private Collection
- Third String, 1991; Violin, shoes, Private Collection
- House of Cards, 1991; Plaster, furniture, felt, Private Collection
- Molotov Kit, 1990; Fabric, gas cans, matches, canvas bras, Private Collection
- Beauty Mark, 1990; Charcoal, blueprint, glass, Private Collection
- Carol Burnett, 1990; CB’s faxes from ‘89 cubed, wood, Private Collection
- Collagen, 1990; Cast lipstick molding, Private Collection
- Brownie Points, 1990; Cotton, felt, Bronx Museum, New York
- Molotov Cocktail, 1989; Gasoline, canvas, bottles, Private Collection
- Charcoal on Paper, 1989; Burned wood, paper; Israel Museum Collection, Jerusalem
- Burning Down the Fresco Barn with Lemon Scented Trash Bags, 1988; Plastic, kerosene, matches fire extinguisher
- Mary Tyler Moore’s Hairdo, 1988; Graphite, paper, weight, Private Collection
- Untitled, 1988; Metal
- Graphic on Paper, 1988; Graphite, paper, Private Collection
- Graphite and Paper, 1988; Graphite, paper, Private Collection