WORKS

: “Floor Shadow Series (Quantum Chip)” 2018. Eye shadow pigment. TAFA Museum Tianjin, China. 240″ x 156″

: “Floor Shadow Series (Tantamount)” 2018. Eye shadow pigment. TAFA Museum Tianjin, China. 240″ x 240″

: “Floor Shadow Series (Tantamount)” 2018. Eye shadow pigment. TAFA Museum Tianjin, China. 240″ x 240″

: “Floor Shadow Series” 2018. Installation view.

: “Floor Shadow Series (Blue Green Transformation)” 2018. Royal blue and emerald green eye shadow Pigment. TAFA Museum Tianjin, China. 157″ x 118″

: “Floor Shadow Series (Yellow Gray Transformation)” 2018. Lemon yellow and silver black eye shadow pigment. TAFA Museum Tianjin, China. 130″ x 141″

: Lay Back and Enjoy It, 2017; Lipstick, wood, plexiglass, hardware, paint

: Installation View, Shoshana Wayne Gallery, 2017

: Lay Back and Enjoy It, 2017; Lipstick, wood, plexiglass, hardware, paint, powder-coated aluminum

: Detail: The Sheriff / Barbershop, 2017; Lipstick, wood, plexiglass, hardware, paint

: Detail: The Sheriff / Barbershop, 2017; Lipstick, wood, plexiglass, hardware, paint

: “Tantamount” 2014-2015. Plexiglass, Aluminum, BMW blue paint, mirror. 72″ x 60″

: Tantamount, 2015; Eyeshadow and Aluminum

: Cosmos, 2013; Eyeshadow, pigment, plexiglass

: Cosmos (detail)

: Cockeyed, 2013; Eyeshadow, pigment, plexiglass, Private Collection

: ConQue, 2013; Eyeshadow, pigment, plexiglass

: True Colors, 2013; Eyeshadow, pigment, plexiglass

: Particle Dispersion: Chrome Green, 2013 Plexiglass case with eyeshadow

: Particle Dispersion: Nano Yellow, 2013 Plexiglass case with eyeshadow

: Particle Dispersion: Orange Vega, 2013; Plexiglass case with eyeshadow

: Installation View, Shoshana Wayne Gallery, 2013

: Pink Lady, 2013; Plastic, glass, Private Collection

: Pink Lady (detail)

: Untitled (Tangerine), 2013; Lipstick, wax

: Untitled (Cotton Candy), 2013; Lipstick wax

: Red Giant & Quantum Dot with Two Electrons, 2013; Eyeshadow, pigment, plexiglass

: Independent Cell, 2012; Pigment—cosmetic compound, plexiglass, Private Collection

: Installation view, Shoshana Wayne Gallery, 2010

: 3D Sketch for Cell: Interlocking Construction, 2010; Cardboard

: Cell: Interlocking Construction, 2010; Pigment, cosmetic compound, plexiglass; Los Angeles County Museum of Art

: Transitional States, 2010; Installation View

: Transitional States, 2010; Installation View

: Transitional States, 2010; Still from performance

: Transitional States, 2010; Still from performance

: Transitional States, 2010; Still from performance

: Transitional States, 2010; Still from performance

: Transitional States, 2010; Still from performance

: Transitional States, 2010; Still from performance

: Untitled (Homage to Mary Cassatt), 2010; Soap, Bergamot Essence

: Parallel Lines, 2010; Pressed eyeshadow, aluminum,glass, Private Collection

: Parallel Lines, 2010; Detail

: Untitled: (Box Under Construction with Liner), 2010; Powder coated sheet metal, paper (84 units)

: Untitled: (Box Under Construction with Liner), 2010; Side view

: Corner Convergence Firing Blue Pink and Green, 2010; Pressed eyeshadow, aluminum, glass

: Fade to Black Through Twilight (836), 2010; Pressed eyeshadow, aluminum, glass, Private Collection

: Color Chart Flat #4, 1993-2012; Eyeshadow and aluminum, Private Collection

: Compression Cut, 2008; Cosmetic pigment, pigment, binder, aluminum, Private Collection

: L’Escargot, 2007; Eyeshadow, aluminum, Private Collection

: Saffron (Warhol), 2008; Eyeshadow, aluminum, Private Collection

: Quinacridone Rose (Warhol), 2008; Eyeshadow, aluminum, Private Collection

: Viridian Green (Warhol), 2008; Eyeshadow, aluminum, Private Collection

: Patricia Sweetow Gallery, SF, 2006; Installation View

: Truncated (Pink), 2006; Compression cast cosmetic pigment, welded tinplate, steel

: Standing Curve, 2006; Compression cast cosmetic pigment, stainless steel, metal tinplate

: Standing Curve, 2006; Side view

: Untitled (Black), 2006; Compression cast cosmetic pigment, welded tinplate, steel

: Small Curve, 2006; Compression cast cosmetic pigment tinplate, stainless steel

: Small Curve, 2006; Side view

: Icosader, 2006; Compression cast cosmetic pigment, pigment, welded metal tinplate

: Icosader, 2006; Detail

: Homage to Dorothy Parker Inside a Richard Serra, 2006; Steel, modified Parker poem

: Shoshana Wayne Gallery, Installation view, 2005

: 3D Stella, 2005; Eyeshadow and welded aluminum, Private Collection

: 3D Stella, 2005; Detail

: Mimesis (Kelley), 2005; Aluminum laminate

: Ob Ex (specifically Judd), 2005; Cast pigment with hydrocal, aluminum, Private Collection

: LA Boogie, 2005; Eyeshadow, pigment, aluminum, Private Collection

: LA Boogie, 2005; Side view

: Mondrian Bulge, 2005; Eyeshadow, pigment, 3D plexiglass cover, Private Collection

: Mondrian Bulge, 2005; Side view

: John, 2005; Eyeshadow, aluminum, Private Collection

: John, 2005; Detail

: Kline Curve, 2005; Eyeshadow, pigment, aluminum

: Kline Curve, 2005; Eyeshadow, pigment, aluminum

: Kline Curve, 2005; Detail

: Cryo-Field (frozen watercolor), 2001; Water, pigment, refrigeration panel

: Cryo-Field (frozen watercolor), 2001; Frosted over

: Cryo-Field (frozen watercolor), 2001; Detail

: Cryo-Field (frozen watercolor), 2001; Detail

: Cryo-Field (frozen watercolor), 2001; Detail

: Cryo-Field (frozen watercolor), 2001; Detail

: Motel Matches – Portrait of a Ready Made (After Kippenberger), 2000; Replica of beer can burned

: Motel Matches—Portrait of a Ready Made, 2000; Detail

: Hopelessly Marionetted to Picabia, 2000; Cameras, acrylic

: Fucking Painters, 2000; Eyeshadow, aluminum, Private Collection

: Michael Kapinios, Germany, 2000, Installation view

: Cut to the Chase inside the Wallet of Bill Gates, 1999; Plastic laminate, paper

: One to One,1998-1999; Eyeshadow and aluminum; Rolla Collection, Switzerland

: Tomb: Tweedledum and Tweedledee, 1998; Crushed, burned computer keyboards

: Solid Surface, Installation view, 1998 – 1999; Warehouse-fire fused laminate

: Molotov and I, 1998; Vodka, canvas, blown glass

: Temple of Apollo, 1998; Eyeshadow, aluminum, backed enamel, steel

: Temple of Apollo, detail, 1998; Eyeshadow, aluminum, backed enamel, steel

: Black and Red, 1998; Eyeshadow, aluminum, Private Collection

: Blue Green Transformation, 1998; Eyesadow, aluminum, Private Collection

: Blue Green Transformation, detail, 1998; Eyesadow, aluminum

: Nova, 1998; Light jet, aluminum, acrylic on porcelain

: Christine Rose, NY, 1998, Installation View

: Lipstick Suit, 1997; Lipstick, resin, wax, fiberglass, fabric, Private Collection

: High Planes Drifter, 1996; Digital output from video capture

: Square Transformation, 1996; 1: Flexible – Open Cube (White Rubber); 2: Collapsed – Open Cube (Red Rubber); 3: Rigid – Open Cube (Metal Lipstick); 4: Square Transformation (Wood Rectangles)

: Square Transformation,Flexible – Open Cube (White Rubber) 1996; Rubber, Private Collection

: Square Transformation, Flexible – Open Cube (White Rubber) 1996; Rubber

: Square Transformation, Collapsed – Open Cube, 1996; Red rubber, Private Collection

: Carbon Fusion, 1996; Mixed plastics, plexiglas, vinyl, styrene, laminate

: Form into Uniform into Formlessness, 1996; Blue screen video capture for digital output, backed enamel on aluminum, Private Collection

: Form into Uniform into Formlessness, 1996; Detail

: Aggregate, 1996; Cast Excedrin AM/PMIngredients: Acetaminophen, bonding agent, caffeine, Private Collection

: From Turquoise to Purple (Forged), 1996; House paint backed enamel, eyeshadow

: Shoshana Wayne Gallery, Installation View, 1995

: Was is Los a Realization of Adolf Loose’s, 1995; Tent & 2 photos

: Was is Los a Realization of Adolf Loose’s, detail, 1995;

: Magazin 4 Austria, poster for show “Was is Loos;” 1995

: Anagram, 1995; Donald Judd chairs, lipstick, wood, rubber, Private Collection

: Originals, 1995; Perfect Raincoat (Fabric Workshop)

: Replicant, 1995; Left: lipstick; Right: paint, lipstick, aluminum

: Pseudo-Cosmetic Carnivore, 1995; Porcelain, porcelain powder, Private Collection

: Stranded, 1995; Porcelain, plastic

: Fawbush, NY, 1995; Installation view

: Portrait of a Feminist, 1993; White enamel on glass (photographic image is the shadow), Private Collection

: Untitled (Bizarra), 1993; Enamel on glass, aluminum brackets, Private Collection

: Spiral Stair Case, 1993; Enamel on glass, Private Collection

: Returning the Gaze, 1993; Ink on glass, Private Collection

: Granddaughter Clock, 1993; Wood, aluminum

: Burnt Bunnies, 1993; Photograph

: Burnt Bunnies, 1993; Photograph

: Burnt Bunnies, 1993; Burned wood, Museum of Contemporarty Art, Los Angeles

: Installation Shot, Rhona Hoffman Gallery, Chicago, 1993

: Anita Hill, 1993, Dimensions variable, pencil and bronze.

: Anita Hill, 1993, Dimensions variable, pencil and bronze.

: Broken Glass, 1992; Blown glass, 9 pairs and broken pieces, Private Collection

: Color Chart Flat #1, 1992; Eyeshadow and aluminum, Private Collection

: Untitled, 1993; Lipstick, resin, Private Collection

: Feminine Aspirations,1992; Lipstick, resin, makeup, plexiglass, Private Collection

: Red Tips, 1991-1992; Lipstick, fabric, resin, shoes, Private Collection

: Untitled, 1992; Lipstick, Private Collection

: One Month Late, 1992; Lipstick ties, resin shoes, hanger

: Untitled Urinals, 1992; Lipstick, wax, hydrocal, Los Angeles County Museum of Art

: Pink and Blue, 1992; Lipstick, fiberglass, fabric, Private Collection

: Sarah, 1992; Lipstick and wax, Private Collection

: Red Not Blue,1992; Still from performance

: Red Not Blue,1992; Still from performance

: Red Not Blue – Three Torsos with Penes, 1992; Lipstick on canvas, Private Collection

: Red Not Blue – Penis marking (from scissor lift descent), 1992; Lipstick on canvas, Private Collection

: Red Not Blue – Buttocks, 1992; Lipstick on canvas

: New California Art: Rachel Lachowicz, at the Orange County Museum of Art, 1992

: Black and Blue, 1992; Wood, pigment, metal, leather, Private Collection

: Season Cycle, 1991-1992; Brass plate figures, wood bases, Private Collection

: Femme Fatale, 1991; Cosmetic powder, plaster, meat hooks, rope, Private Collection

: Forensic Projection (28, 58, 88 years), 1992; Face powder & hydrocal, Private Collection

: Leap Into the Void, 1991; Lipstick, Private Collection

: Monochrome Red, 1991; Cast lipstick, Private Collection

: Homage to Carl Andre (red), 1991; Lipstick and wax; Orange County Museum of Art

: Coma, 1991; Lipstick and wax, Private Collection

: Face Powder, 1991; Cast face powder, plaster, Private Collection

: Catherine Deneuve, 1991; Enamel on glass, Private Collection

: 1940 Vogue, 1991; Enamel on glass, Private Collection

: Self-Portrait, 1991; Enamel on glass, Private Collection

: High Heels, 1991; Shoes, fabric, Private Collection

: Red David, 1991; Plaster, lipstick, Private Collection

: Third String, 1991; Violin, shoes, Private Collection

: House of Cards, 1991; Plaster, furniture, felt, Private Collection

: Molotov Kit, 1990; Fabric, gas cans, matches, canvas bras, Private Collection

: Beauty Mark, 1990; Charcoal, blueprint, glass, Private Collection

: Carol Burnett, 1990; CB’s faxes from ‘89 cubed, wood, Private Collection

: Collagen, 1990; Cast lipstick molding, Private Collection

: Brownie Points, 1990; Cotton, felt, Bronx Museum, New York

: Molotov Cocktail, 1989; Gasoline, canvas, bottles, Private Collection

: Charcoal on Paper, 1989; Burned wood, paper; Israel Museum Collection, Jerusalem

: Burning Down the Fresco Barn with Lemon Scented Trash Bags, 1988; Plastic, kerosene, matches fire extinguisher

: Mary Tyler Moore’s Hairdo, 1988; Graphite, paper, weight, Private Collection

: Untitled, 1988; Metal

: Graphic on Paper, 1988; Graphite, paper, Private Collection

: Graphite and Paper, 1988; Graphite, paper, Private Collection